Symmetry and Storage

My eyes are crooked.  Seriously, my eyes are slightly misaligned – the right one is a millimeter higher than the left.   I have been aware of this since I was a teenager when it dawned on me that the reason why I could never get my eyeliner to look right was because one lid was shaped with a little more of a slope and the other eye was a little higher…so it goes, but it makes for some frustrating asymmetry when drawing.
goya-wip
The current work is a triptych of self-portraits…my internal monologues with Goya.  Each drawing is about 18 x 17 inches:  smaller, straightforward self-portraits with concentrated and candid observation.  I will post these drawings as I finish them.
At my husband’s insistence (via repeated suggestion), I have rented a storage space for my finished and framed drawings.  I suspect that a commercial that we saw for the “Hoarders” show on A&E was the catalyst (“Hey – that looks just like my studio!“) but, in truth, I cannot organize the studio supplies that I use because I can barely navigate the framed drawings I have stacked in my studio space.  I cannot even shift my chair to the left or right more than a couple of inches…it really is that bad.
Plus, there are little frustrations such as the day that I spent 45 minutes looking for the circle template (the second one that I have purchased this year) and as a last resort I ended up tracing glasses out of the kitchen (and not the exact circle size I needed) – a particularly exasperating instance when I knew that I owned something but I could not put my hands on it at the moment when it was desperately needed.
I suppose I could stop doing such large drawings that need to be framed…but since this drawing thing is a compulsion, that is not going to happen unless heavy medication is involved.
I remember asking one of my studio art professors what he was going to do with his stockpile of 15 x 20 foot paintings after his death…oh wait, digression:  I really am not that tacky or insensitive to ask an artist what they were going to do with the paintings that did not sell during his/her lifetime – this professor, both self-absorbed and eccentric, held one very open-forum class during each semester that was an “ask me any question about my experience as an artist, anything, no holds barred” so he encouraged this sort of dialogue.  My other question during one of these forums was whether or not women and men painted differently because of their actual physical differences (the innie-outie question), which, oddly, he shied away from answering, but the death question got him very excited…his answer was that since he owned the old high school gym in town (the only space large enough for his paintings) he had already made a stipulation in his will that the building would be sealed with his paintings left inside, protected, until anyone cared or bothered to get them out.
Alas, I do not think I will find a spare gymnasium anytime soon.  So, it is time for a good cleanout, a good system of organization, some fun trips to Ikea (oh Swedish storage paraphernalia, how I do love thee), and then I can at least move my chair around…perhaps I will even get one of those rolly-chairs since I will have some room for momentum when I wheel myself around the studio.

6 comments to Symmetry and Storage

  • Oh, now I’m going to be staring at your eyes next time I see you =)
    I have to say I’m loving the idea of a gymnasium. Maybe you could find some other folks to go in with you? I think we need to start a gymnasium fund.

  • I will keep my head slightly tilted so the crooked eyes won’t be as noticeable…

    A gymnasium would be fabulous ~ but I don’t know that I have seen any spare ones around lately.

  • Hi Sarah,
    The storage problem of artists! Many of my paintings which range up to six foot tall are in my mother’s shed and she is always questioning when i might move them. Having lived in a few different countries gave me a good excuse not to deal with them, but now that i am in the states the pressure is on. Hopefully I can persuade her to allow me storage space a couple more years until we find a place to buy.
    Current stuff is taking over a fourth of my bedroom. Your triptych sounds interesting and I like the drawing you show here. I love the war paint. Intimidating
    Your asymmetrical eyes were the first thing I noticed about you when we met so long ago and I did think that they are intriguing and pretty.

  • Ruth you likely noticed my eyes because you had to draw* them, too! Most people never notice…

    I had a lot of paintings/drawings from school stored in my father’s basement and one day a few years ago he had me help him clean out and off they went to the dump…it was a weird feeling to throw away art, but also cathartic to let it go. I would not throw any of the more recent drawings away, though I have on occasion given them to people just to be rid of them (and to know they are going to a good home).

    *I did not throw away the drawing you and I did together ~ it still remains in my father’s basement because it is hanging high on the wall and he has not noticed it, yet…I promise that I will get a photo of it this year!

  • If he decides to throw the one we did away, let me know and i can store it here. You never know, 200 years from now, historians will look at it and discuss Sarah Petruziello and who was that other artist? lol
    I hope you didn’t bin the feet. I liked that one. It was from the last of your school days. I’m sure if you remember which one i’m speaking of.

  • I think I know which drawing you are referring to (with the feet), if it was a pastel, then that is one that I actually sold (!)